PROXECTO MULTIDISCIPLINAR 19-20: A TECNOLOXÍA NAS NOSAS VIDAS

Mostrando entradas con la etiqueta Club Atenea. Mostrar todas las entradas
Mostrando entradas con la etiqueta Club Atenea. Mostrar todas las entradas

Resumo de actividades dos clubes de lectura, 2013-14

O club de lectura O MOUCHO AZUL, da Biblioteca do IES Pedro Floriani de Redondela, comezó a funcionar no ano 2009-10 con dous clubes, un formado por alumnas/os de 4º ESO e outro mixto, con lectoras/es de conserxería, secretaría, alumnado e profes. Desde entón pasou por moitas formas: Un club  de nais, un club de profes e algunhas nais, varios clubes de 1º e 2º de ESO...
Podes acceder ao blog do Moucho Azul picando nesta ligazón ou ver aquí un resumo das súas actividades durante o curso 2013-14:

                       Actividades do Moucho Azul en 2013-14                        

Club LAURIÓN Club HEDWIG Club ATENEA








3, 4. Monkey bars
Dialogues - Analysis












Saída ao cine
dos clubes Laurión e Hedwig: Diverxente

Club Atenea 6 - Last session

For our last meeting, on May 26th, we shared lunch together and talked about the students’opinions
about the acting club.



These were the answers:

What’s your degree of satisfaction from 1 to 10 with what you have learned?
The average was 8.8

What did you like the most?
Most of the students said that the improvisation exercises and the games were their favourite activities and that every session was a chance for them to use their creativity and imagination. It was very relaxing and entertaining.

What did you like the least?
Some of the readings were difficult to understand and the ones we act on had a lot of colloquial expressions.

Would you recommend the club to other students?
Yes, specially for those who are in 1st year of BAC because in 2nd year we are under a lot of pressure.


Club Atenea 5 - “Take one!, Action !”

In our sixth session we filmed some improvisation exercises in which students use both their imagination and creativity to make up a situation with the few props we had available. You can see the result here.

The thief



The beach



The fortune teller



Raining

Club Atenea 4 - Monkey bars: Analysis


ACTING CLUB
4th session 27th January

  

We did some text analysis with dialogues of Monkey Bars.
We assigned characters and worked on our character identification.

 


After that we recorded some of the dialogues (Click on the icons to listen to them).

                        

CHARACTER ANALYSIS
Who is your character? Write the main features about it. Remember the more detailed description you achieve of your character. The more you work on it the more chances you have to build up a credible character.
Everything may have an influence on your character, try to think about as many nuances as you can.

These questions may help you find out your way:
1. Is it a man or a woman?
2. How old is he/she?
3. Where is he/she from?
4. What’s his/her social status?
5. What does he/she do for a living?
6. Where does he/she live? (suburbs, slums, city, town, village)
7. Where is this scene happening?
8. Is he/she familiar with this place?
9. How does he/she feel about it?
10. Are there any emotional links to it?
11. When is it? Specify the season, the month, the day of the week, the hour of the day.
12. Who is he/she with?
13. How is he/she related to them?
14. Are there any special feelings about any of them? 
15. Define these feelings: love, indifference, hate, compassion.…
16. How does your character move: quietly, jittery, quirky…
17. What is your character like? 
18. What does your character look like? (http://www.speakenglish.co.uk/vocab/describing_people).
19. What are his/her life expectations?
20. How does he / she feel about it?


Club Atenea 3 - Monkey bars


MONKEY BARS

In our third meeting of the ACTING club in December we have been reading some dialogues of the play Monkey Bars by Chris Goode.

We would like to roleplay some of the most smashing dialogues so that we could perform them.

This is an example of some of the dialogues:


Club Atenea 2 - Working as a team

1. Warming-up exercise: walk in a straight line at different speed. Fill the space changing direction when you feel like.

2. Water, air, fire and wind
Improvisation at different levels in space : standing, sitting, kneeling, squatting. Identify your movement and your body with an element of nature: earth, fire, water or air.

3.Irish jewels

4. Tic-toc
This is a nice exercise to build up your confidence and your concentration. In a circle the teacher passes around counterclockwise an object which is called a TIC. The dialogue has to be said as follows:
- “This is a TIC”
- “A what? “
- “A TIC”


Next person repeats the same but the name has always to be said by the person who started the game.
- “This is a TIC”
- “A what? “
- “A what?”
- “A TIC”
- “A Tic”
- “A Tic”
It is only at the moment that the person gets the name of the object that he/she can hold it in his/ her hand.

The game gets more complicated when a TOC is introduced in the other direction so at one moment both objects meet each other and if you are not focus you may easily lose your way.


5. In a circle we played
- “Good Day Madge”
- “Good Day Madge”
- “Say, Good Day to Madge, Madge”
Every time anyone makes a mistake he’s assigned another name: Charlene, Harold and Bouncer (you have to bounce while you are saying your text).


6. In pairs improvise a situation where there is a conflict and you have to find the solution to that conflict.

7. Write on a piece of paper one saying, one emotion, one movement and one place. Improvise a scene where all these elements are present.


8. Later, we devoted some time to read the newly arrived plays of:
Waiting for Godot, Samuel Beckett
The Curious Incident of the Dog in the Night-time (based on a novel by Mark Haddon).
A Midsummer-night Dream, William Shakespeare.



Club Atenea 1- Introduction to acting



INTRODUCTION TO ACTING

ACTING IS ABOUT…
BUILDING UP CONFIDENCE AND SELF-AWARENESS
STAYING FOCUSED
KEEPING OPEN TO OTHERS’ REACTIONS
ENJOYING WHAT YOU ARE DOING
NOT SHOWING PREJUDICES
BEING RELAXED
LISTENING TO OTHERS
HAVING PRESENCE AT THE VERY MOMENT
-BEING CREATIVE

In this course we will do some improvisation exercises, we will work with our body and voice, we will read some theatre plays, do some character analysis and perform some scenes.

Suggested readings
Waiting for Godot, Samuel Beckett.
Our Day Out, Willy Russell.
The Cripple of Inishman, Martin Mc Donagh.
A Midsummer Night’s Dream, William Shakespeare.
Monkey Bars, Chris Goode.
Sunday on the Rocks, Theresa Rebeck.
The Hothouse, Harold Pinter.

Meetings Dates
1st. 21st October
2nd. 18th November
3rd. 16th December
4th. 27th January
5th. 24th February
6th. 31st March
7th. 26th May


Bibliography on Acting
1. Stanislawsky para principiantes,
2. La construcción del personaje, STANISLAVSKI, K.; ALLEN, D; FALLOW, J.; Era Naciente.
3. Improvisation for actors, DIGGERS, Dan.
4. Improvisation starters, BERNARDI, Philips.
5. Drama games for classrooms and workshops, SWALE, Jessica.

1st SESSION: Physical work tells you a story

1. Walk in a neutral position. 5’
2. Moving through the room walking slowly or fast, at different levels, move backwards, forwards, to the right to the left. Kneel down, roll on the floor, creep, stand, jump... Let the music guide you. 10’


3. Building up confidence. Stand in a circle. One person goes in the middle of it. With your eyes closed, let your body bounce while the rest of the group members hold you.


4. I love you. Choose a person in the group. you love. Don’t tell anyone. Your movements will show who this person is: you want to be close to them. Check what your feelings are when theymove away from you, when they got close to you. 5’


5. I hate you. Choose a person in the group you hate. Don’t tell anyone. Your movements will show who this person is: you want to be far away from them. Check what your feelings are when they move away from you, when they got close to you 5’
6. Equilateral triangle. Keep moving through the room choose two people in your mind and as you move get focused on building up an equilateral triangle all the time. 5 ‘
7. In a circle you mimmick a gesture but say something completely different. 10’


8. In pairs standing opposite your partner assign A and B roles. A says one B says 2 A says 3.Then replace 1 by a clap, 2 by a jump, three by twisting down.


9. Improvisation exercise: Choose an object from your bag. Improvise with it. In pairs with no words only mimic.


10. Voice exercise, relaxing.

READING: MONKEY BARS.
We have assigned dialogues for the next meeting.